Cracks and Porosity
A casting fault or a reopened old repair is filled rather than bridged, working along the line in stages so you can see what has closed before continuing.
Resizing, chain breaks, worn prongs, cracks, findings and one-off adjustments — handled at the bench, in the position you already hold the piece.
Scan for the work you actually take in. Then read the two operations further down, because those are the ones that decide whether a repair bench is quicker with a laser or only busier.
| Repair job | How it usually arrives | The joint the laser has to reach |
|---|---|---|
| Ring resizing | Shank cut, sized, waiting to be closed | A seam right around a band held in the fingers |
| Broken chain repair | One failed link, often mid‑length | A joint thinner than the wire beside it |
| Prong repair and rebuilding | Worn or lost tips on a mounted stone | Metal at the top of a claw, close to the setting |
| Crack and porosity work | Casting faults, or an old repair reopening | A line or pit to be filled, not bridged over |
| Small component joining | Findings, bezels, jump rings, clasps | Two parts that must stay aligned while joined |
| Remodel and custom assembly | Parts of different pieces brought together | Joints planned by the maker, not by the damage |
| Prototype adjustment | A one‑off altered part‑way through a build | Joints that will be re‑cut and re‑made again |
Not every one of these belongs on a laser every time. The two below explain how that call is made.
Of everything listed above, retipping is the job most often handed back with an apology. It is worth one section on its own instead of one line in a list.
The tip is small, the stone is right there, and the metal you need to add sits at the top of a claw that carries heat straight down towards the seat. There is no room to work away from what you are trying to protect. If a laser is going to earn its bench space, this is the job it has to change.
The piece stays in your fingers under the microscope, so the tip is approached from the angle that puts the seat behind the joint rather than beneath it. Metal is added in short placed shots instead of one long pass, and you look at the claw between them. There is no universal parameter set for this: the starting point shifts with the alloy, the wall left on the worn claw and how close the seat sits.
No published number settles a retip, and we will not invent one. Use a scrap mount from your own repair drawer and answer these instead.
Some retips should be quoted as a reset before they start, and some should be stopped in the middle. Neither is a fault of the machine, and both are cheaper than a returned piece.
Stone‑set pieces are a separate decision, and we do not claim that all gemstones and metals can be processed safely under the same conditions: gemstone type, any treatment, the setting structure, the distance from the working area and heat sensitivity are all assessed before the piece is touched. That assessment is set out on the gold, silver and platinum page, and an unidentified stone stays an open question until it is identified.
The job is taken in, worked and finished in one position. Nothing is unclamped and carried to a second station between two steps of the same repair.
How a repair day is organised around itA broken chain is the repair customers inspect most closely, and the one where the setting on the screen matters least.
A failed link is usually thinner in section than its neighbours, and the two ends do not want to stay together. You are asked to join a face you can barely see while the piece tries to hang away from itself. That is a fixturing problem first, and only then a welding one.
Tweezers, a third hand, a pin through the neighbouring links — whatever suits the pattern — before power is considered. The joint is then made under the microscope where you can see the two faces in contact rather than assume it.
Short notes, not another argument — three kinds of work that sit alongside daily repairs on the same bench.
A casting fault or a reopened old repair is filled rather than bridged, working along the line in stages so you can see what has closed before continuing.
Bezels, jump rings, clasps and catches are tacked in position first and finished after alignment is confirmed, which keeps a crooked part from being joined permanently.
A one‑off can be joined, looked at, cut back and joined again in the same session, so a design decision does not wait on an outside service between two steps.
The M3 does not replace every specialised machine for every application, and repetitive all‑day production runs are not what a shared bench station is for. Anything outside the configurations the M3 is validated for should be reviewed before it is promised to a customer.
The thin shank, the worn claw on a mounted stone, the chain nobody wants to touch. We would rather run it than describe it.
Photographs of one awkward job tell us more than a description of ten ordinary ones. Application guidance comes back with the quote.
Prefer email? Write to [email protected] and describe the repairs on your bench this week.
Still deciding?
Send a sample repair for a test